后现代转向与实践美学

20世纪60年代之后,在新兴艺术形式和后现代理论的冲击下,美学开始了后现代转向,在诸多方面产生了决定性断裂。一方面在旧形而上学思想的支配下仍然以主体论美学、意识哲学美学和语言论美学为主体,而实践美学否定了这种旧形而上学的普遍性、永恒性和必然性,使现代美学得到长足发展。另一方面,文化研究在后现代转向的语境中兴起,但是它在逻辑起点、文化层面和审美追求三方面表现了其不足之处。马克思主义实践美学以自由的实践与创造和共产主义审美理想,弥补了其不足并表现出了巨大的优越性。

Practice Aesthetics in the Post-modern Turn

After 1960s, aesthetics turns to post-modem and appears conclusive rupture by the impact of burgeoning forms of art and post-modem theory . On the one hand , old metaphysics is leading position , but practice aesthetics denys its universality and eternality and centainty . On the other hand , cultural studies appears in the postmodern turn , but it is not perfect on the logic starting point and culture angle and aesthetic pursue . Practice aesthetics of Marxism show its tremendous advantage and offsets the deficiency of cultural studies by free practice and creation and aesthetic ideality of communism.