| 被极“左”政治粗野强暴的“红衣少女”--兼谈20世纪五六十年代京剧现代戏的价值 |
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| 引用本文： | 段大明.被极“左”政治粗野强暴的“红衣少女”--兼谈20世纪五六十年代京剧现代戏的价值[J].湖南文理学院学报(社会科学版),2003,28(3):81-83. |
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| 作者姓名： | 段大明 |
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| 作者单位： | 段大明（湖南文理学院,中文系,湖南,常德,415000） |
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| 摘 要： | 运用历史唯物主义的观点,从文学艺术的角度,分析和探讨20世纪五六十年代的"京剧现代戏"的现象具有重要的意义,为此应充分肯定它们在当代戏曲改革中的积极作用.
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| 关 键 词： | 戏曲改变 京剧现代戏 文化大革命 "样板戏" |
| 文章编号： | 1009-489X(2003)03-0081-03 |
| 修稿时间： | 2003年3月10日 |
"The Girl in Red" Violated by Ultra- "left" Politics--Discussion on the Value of Modern Beijing Opera in the Fifties and the Sixties |
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| DUAN Da - ming."The Girl in Red" Violated by Ultra- "left" Politics--Discussion on the Value of Modern Beijing Opera in the Fifties and the Sixties[J].Journal of Hunan University of Arts and Science:Social Science Edition,2003,28(3):81-83. |
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| Authors: | DUAN Da - ming |
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| Abstract: | The phenomenon of modern Beijing opera in the fifties and the sixties was analysed and probed from the view of historical materalism and in terms of literature and art. The positive effect in the reform of contemporary opera should be fully affirmed. |
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| Keywords: | opera reformation modern Beijing opera Cultural Revolution modern theatrical works |
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