| 西夏佛教卷轴画艺术风格 |
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| 引用本文： | 陈悦新. 西夏佛教卷轴画艺术风格[J]. 北京理工大学学报（社会科学版）, 2006, (2): 20-23. |
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| 作者姓名： | 陈悦新 |
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| 作者单位： | 1.北京理工大学设计艺术学院 北京100081 |
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| 摘 要： | 西夏卷轴画集中出土于今内蒙古和宁夏两地,约有200余幅。其中的佛教卷轴画并存汉地传统绘画风格与吐蕃传统绘画风格(唐卡)两种形式。前者较多表现汉地净土信仰题材,特别着重于“阿弥陀佛来迎”场面,体现了西夏在继承唐代基础上的独特性;后者的构图、色彩、造型等内容,皆可于12世纪前后的西藏唐卡中找到源头。
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| 关 键 词： | 西夏 佛教 卷轴画 艺术风格 |
| 文章编号： | 1009-3370(2006)02-0020-04 |
| 收稿时间： | 2006-01-11 |
| 修稿时间： | 2006-01-11 |
The Artistic Style in Xixia Buddhist Scroll-paintings |
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| CHEN Yue-xin. The Artistic Style in Xixia Buddhist Scroll-paintings[J]. Journal of Beijing Institute of Technology (Social Sciences Edition), 2006, (2): 20-23. |
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| Authors: | CHEN Yue-xin |
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| Affiliation: | 1.School of Design and Art, Beijing Institute of Technology, Beijing 100081 |
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| Abstract: | Xixia scroll-paintings are mainly excavated in Inner Mongolia Autonomous Region and Ningxia Hui Autonomous Region. There are more than 200 scroll-paintings. Among them, Chinese traditional painting style coexists with Tibetan traditional painting style,namely Tang Ga. The former expresses partly the subject matter of The Pure Land Sect which is Chinese faith. It especially focuses on "Amitabha coming and meeting",a scene that conveys a unique style of Xixia,in spite of it inheriting Tang style. The latter, we could find its composition, colour and model which source from the Tibetan Tang Ga in about 12th century. |
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| Keywords: | Xixia Buddhism scroll-painting artistic style |
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