| 传神写意与中华艺术文化 |
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| 引用本文： | 长北. 传神写意与中华艺术文化[J]. 东南大学学报(哲学社会科学版), 2010, 12(1) |
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| 作者姓名： | 长北 |
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| 作者单位： | 东南大学艺术学院,江苏,南京,210096 |
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| 摘 要： | 本文以文人画及其理论为证,提纲挈领地叙述了"神"、"传神"、"畅神"到"写意"审美范畴的演变,分析了传神写意审美命题的文化背景,并以民间艺术为例,提出中华艺术的传神写意先起于民间,文人艺术与民间艺术相互影响相互作用,促使传神写意成为中华艺术源远流长的独特传统。
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| 关 键 词： | 传神 写意 中华传统艺术 |
Freehand brushwork in painting and Chinese art |
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| CHANG Bei. Freehand brushwork in painting and Chinese art[J]. Journal of Southeast University(Philosophy and Social Science ), 2010, 12(1) |
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| Authors: | CHANG Bei |
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| Abstract: | Based on literati painting and its theories,this paper makes an analysis on the evolution of aesthetic scope from vividness to expressiveness and then to freehand brushwork under the given cultural background.By taking the folk art as an example,the author proposes that the freehand brushwork originated in popular art.The literati painting and folk art influenced and promoted each other,which established the unique tradition of freehand brushwork in Chinese art. |
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