论黄绮的书法艺术

黄绮卓越的书法艺术表现在,他把千余年来被禁锢于冰冷线条中的书法之象解放出来,使之成为人的自由审美精神的显现形式。其书法形象就其本体意义而言是意象造型,即在形象思维作用下激活汉字中象的意味,实现审美。黄绮书法对形式要求特别强烈,其书法的结构性线条实现了线与象的统一,使对书法的审美自觉地集中于书法形式自身。由于形式承载着巨大的审美信息,黄绮书法极重视形式感因素的对立统一,阳刚美与阴柔美既各有明显特征又相辅相成融为一体,这使审美书法获得了最充分的审美品格,也使审美书法获得了一个理想的存在形式。

On Huang Qi's Calligraphy

Huang Qi's calligraphy is the visualized form in accordance with enjoyers' aesthetics. As far as its reality is concerned, it belongs to the reappearance of image. Its shape is so delicate that it achieves a harmonious unity between line and image. Endowed with information of aesthetics opposition and unification in his calligraphy are much valued. The yang strength and yin softness are into oneness. In this way calligraphy acquires the quality of aesthetics and at the same time an ideal form of existence.