| 深沉的变奏——中国现代文学中底层叙述的话语方式 |
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| 引用本文： | 彭松.深沉的变奏——中国现代文学中底层叙述的话语方式[J].北方论丛,2007(5):29-33. |
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| 作者姓名： | 彭松 |
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| 作者单位： | 复旦大学,中文系,上海,200433 |
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| 摘 要： | 现代中国文学中的底层叙述存在着四种主要的话语方式,这些不同的话语,各自构造着符合自身想象兴趣和利益需求的底层形象,显示出一系列社会观点和意识形态对底层的观察、想象和叙述的制约。这些话语之间,以及这些丰富的话语与默默生存着的底层本身之间所构成的张力结构,正可为我们当下思考"底层如何被表述"的问题时,提供深刻的借鉴和生动的资源。
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| 关 键 词： | 底层叙述 启蒙 革命 审美 通俗 |
| 文章编号： | 1000-3541（2007）05-0029-05 |
| 修稿时间： | 2007-04-29 |
The Deep Variation——Words Way of Bottom Narration in Chinese Modern Literature |
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| PENG Song.The Deep Variation——Words Way of Bottom Narration in Chinese Modern Literature[J].The Northern Forum,2007(5):29-33. |
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| Authors: | PENG Song |
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| Institution: | Department of Chinese, Fudan University, Shanghai 200433, China |
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| Abstract: | The bottom narration in modern Chinese literature has four kinds of main words ways. These different words each are constructing the bottom image according with imagining interest and interests demand by oneself, and demonstrate the restriction of a series of social views and ideology to bottom observation, imagination and narration. The tension structure which these words, as well as these rich words and silent survival bottom constitute itself, may provide the profound model and the vivid resources for us pondering the question how the bottom is expressed. |
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| Keywords: | bottom narration enlightenment revolution aesthetic popular |
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