| 谈纳博科夫的"蝴蝶美学" |
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| 引用本文： | 马凌.谈纳博科夫的"蝴蝶美学"[J].哈尔滨工业大学学报(社会科学版),2004,6(2):20-24. |
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| 作者姓名： | 马凌 |
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| 作者单位： | 天津师范大学,天津,300074 |
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| 摘 要： | 对蝴蝶的终身迷恋,影响了纳博科夫的美学观念.纳博科夫的蝴蝶美学包括两部分,即逼真的细节和戏仿的结构.二者形成一种奇特的张力,将后现代主义文学的游戏性发挥得淋漓尽致,同时揭示出文学的虚构本性.貌似传统的现实主义叙述与实为后现代主义的文本结构,成为纳博科夫区分于其他后现代主义作家的独特风格.
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| 关 键 词： | 纳博科夫 美学思想 细节 戏仿 |
| 文章编号： | 1009-1971(2004)02-0020-05 |
| 修稿时间： | 2003年12月25 |
Nabokov's butterfly-aesthetics |
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| MA Ling.Nabokov's butterfly-aesthetics[J].Journal of Harbin Institute of Technology(Social Sciences Edition),2004,6(2):20-24. |
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| Authors: | MA Ling |
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| Abstract: | As a lifelong butterfly addict, Vladimir Nabokov's aesthetic thoughts were deeply influenced by butterflies. His butterfly-aesthetics includes two parts: realistic details and paradox structure. The combination of the two creates a special power which elaborates the game plot of post-modern literature as well as the fictive nature of literature. In a sense, Nabokov's unique post-modernism style was characterized by a combination of the traditional realistic narration and the complicated text structure of postmodernism, which distinguishes Nabokov from other post-modern writers. |
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| Keywords: | Nabokov aesthetic thoughts post-modernism post-modern literature |
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