记忆与表象——《京华烟云》文学创作的审美心理与女性形象

在林语堂先生最引以为傲的小说作品<京华烟云>里,呈现出作者独特而充满睿智的女性审美观和审美心理.在林语堂的记忆深处,<红楼梦>和<浮生六记>这两部作品一直保留着其他文学作品所不能替代的重要位置,并对他的一生尤其是对他的文学创作影响颇深.在小说<京华烟云>里,林语堂巧妙地将<红楼梦>中的史湘云和<浮生六记>中陈芸的性格合二为一,借鉴塑造出姚木兰爽朗乐观、豁达大度、优雅多情、持家理业之能者的理想女性性格,将自己对女性的浪漫主义的审美理想和审美记忆综合地赋予给了木兰.<京华烟云>中的姚莫愁则从<红楼梦>中的薛宝钗那里得到了丰富的创作灵感,也吸收了其中最有价值的创作营养,在摒弃了薛宝钗伪善性格的同时,塑造了莫愁为人实际、大方得体、成熟稳健、聪颖圆滑的性格特点.

Memory and Idea ──The Aesthetic Qsychology and female character of literature creation of Moment in Peking

In Lin Yutang's work Moment in Peking,which he was proudest of it,shows the author's special and sagacious aesthetics of female and aesthetic psychology.This article discusses the creation origin of the main female characters Yao Mulan and Yao Mochow in Moment in Peking from the psychological mechanism memory and idea,by using the theory of aesthetic psychology of literature creation.In Lin Yutang's deepest memory Hong Lou Meng and Fu Sheng Liu Ji were of the most important works,which could not be replaced.These two works influenced his literature creation in his whole life.In Moment in Peking,craftily blended Shi Xiangyun of Hong Loumeng and Chen Yun of Fu Sheng Liu Ji in two one,and shaped Mulan with the ideal female characteristic,who is bright of optimism,magnanimous,graceful able homemaker.He endowed romantic aesthetic ideal and aesthetic memories of female with Mulan in Moment In Peking.Lin Yutang got the rich inspiration of writing from Xue Baochai in Hong Loumeng for Yao Mochow in Moment inPeking,and also absorbed the most valuable nourishment of writing.At the same time,he got rid of the hypocritical characteristic of Xue Baochai,and shaped Mochow who is reality,generosity,ripeness and perspicacity.