从"红白玫瑰"看张爱玲对男性霸权文化观念的颠覆

作品主人公佟振保的生命里需要两种女人"圣洁的妻子"和"热烈的情妇",自己追求别人的女人,却由不得自己的女人不规矩,并以此作为男性自我认同和自我肯定的标志.男权文化贞淫观规范着女人"圣母"与"荡妇"的角色,为佟振保的"双重理想"提供了观念的支持和制度的保障,而情人王娇蕊,由放浪向人妻的转变、妻子孟烟鹏由贞洁向淫荡的转向,女性的贞淫不再泾渭分明,而是互为逆转,震裂了佟振保的性观念裂缝,暴露了男性霸权文化的自相矛盾性.

The Contradiction in the Male Hegemonic Culture --On Zhang Ailing' novel" Red Rose, White Rose"

The man centric culture divides women into "the goddess and the prostitute". The protagonist called Tong Zhenbao wishes he won two kinds of women: "The pure wife and the warm mistress", or rather , he courts other people's wives but he by no means permits his wife has secret communication with other men. Owing to Tong Zhenbao's wife and mistress vary between the chaste and the wanton, their deed rebels his sex notion of the man centralism, and exposes the contradiction of the male hegemonism on the sex question.