从叙事角度看中国式大片的困境

持续不断的骂声和指责表明，新世纪以降的中国式大片确实面临着某些需要摆脱的困境。在叙事学的视野中，二元性功能的缝合与分裂，视觉过剩与人性匮乏的纠缠，传统与现代观念的相互消解，分别构成了中国式大片在叙事对象、叙事方式、叙事伦理等三个方面的困境。这三重困境的产生有其各自不同的原因，因而需要不同的因应对策，才能真正将其摆脱和超越。

Predicaments of Chinese Large-investment Films from Narrative Perspective

The continuous blames show that the China＇s large-investment films in the new century do have some predicaments of which are difficult to get rid. From the narrative perspective, the suture and split between the two functions of the narrative objects, the lack of human connotation and the excess of visual spectacle on narrative discourse, the counteraction between the tradition and the modern concept on narrative ethical lead to the predicaments of China＇s large-investment films. These triple difficulties need different strategies to be got rid of.