| 郑板桥审美创作论探微 |
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| 引用本文： | 郝文杰,朱天曙.郑板桥审美创作论探微[J].延边大学东疆学刊,2002,19(4):43-47. |
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| 作者姓名： | 郝文杰 朱天曙 |
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| 作者单位： | 南京艺术学院 江苏南京210013
(郝文杰)，南京艺术学院 江苏南京210013(朱天曙) |
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| 摘 要： | 郑板桥的作品中包含着他对审美和创作的见解 ,其中关于心眼、意法、雅俗方面的阐述丰富了中国古典文艺理论的内容 ,把审美创作与思想内容、创作体验等密切结合 ,解决了主客体之间的各种具有丰富内涵的审美关系 ,对于当代的审美观念和创作思想都有值得借鉴之处
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| 关 键 词： | 审美创作 心眼 意法 雅俗 |
| 文章编号： | 1002-2007(2002)04-0043-05 |
| 修稿时间： | 2002年6月11日 |
A Study of Zheng Banqiao's Aesthetic Consciousness and Artistic Creation |
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| Hao Wenjie and Zhu Tianshu.A Study of Zheng Banqiao''''s Aesthetic Consciousness and Artistic Creation[J].Dongjiang Journal,2002,19(4):43-47. |
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| Authors: | Hao Wenjie and Zhu Tianshu |
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| Abstract: | Zheng Banqiao created many fine works which reflected his ideas about aesthetic consciousness and artistic creation. His expositions as to the eye and the mind,the mood and the technique, and elegance and popularity enriched the classical Chinese art and literary theory, combined aesthetic appreciation and artistic creation with ideological content and painting experience, and brought into better balance the aesthetic relations between subject and object, from which we can extract useful experience. |
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| Keywords: | aesthetic appreciation and creation the eye and the mind the mood and the technique elegance and popularity |
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