| 穿越“七宝楼台”——浅谈中国古代诗歌创作与赏评原理 |
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| 引用本文： | 徐晓莉. 穿越“七宝楼台”——浅谈中国古代诗歌创作与赏评原理[J]. 天津大学学报(社会科学版), 2005, 7(6): 401-405 |
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| 作者姓名： | 徐晓莉 |
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| 作者单位： | 天津广播电视大学中文系,天津,300191 |
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| 摘 要： | 中外文学批评著作中,诗歌创作与诗歌赏评作为两个独立的话题自古不乏高见与专论,但作为一个相对独立完整的,相互依存、相互支撑,互为条件、互为因果的理论体系来进行论述还很不多见.结合20余年来教学中的探索积累,尝试从诗歌形成的内在机理上,阐明诗歌欣赏评析所应遵循的规律及方法.
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| 关 键 词： | 创作原理 欣赏原理 欣赏方法 直观神悟 知人论世 沿波讨源 |
| 文章编号： | 1008-4339(2005)06-0401-05 |
| 修稿时间： | 2005-01-21 |
Bridge to the Pagoda of Poetry--on Poetry Composition of Ancient China and Its Principles of Criticism |
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| XU Xiao-Li. Bridge to the Pagoda of Poetry--on Poetry Composition of Ancient China and Its Principles of Criticism[J]. Journal of Tianjin University(Social Sciences), 2005, 7(6): 401-405 |
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| Authors: | XU Xiao-Li |
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| Abstract: | There are outstanding discourses about poetic creation and poetic criticism as two independent topics in Chinese and foreign literature criticism. Up to now, the systematic discourses that taking poetic creation and poetic criticism as independent , integral, complementary, and reciprocal theoretical system are few. Staring from the inherent mechanism of the forming of poems, the author tries to explain the rules and methods with which poetic criticism must be complied with in benefit of 20 years of teaching experience. |
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| Keywords: | creation principles criticism principles criticism methods intuition knowing about author through background ascending origin |
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