| 当代审美意识与当代中国书法 |
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| 引用本文： | 王仲生. 当代审美意识与当代中国书法[J]. 唐都学刊, 2011, 27(6): 85-88 |
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| 作者姓名： | 王仲生 |
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| 作者单位： | 西安文理学院文学院,陕西西安,710065 |
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| 摘 要： | 当代中国书法艺术不仅是一个时间概念,而且更有它质的内在规定性,当代审美意识的建构是当代中国书法艺术的核心所在。所谓老庄与禅支撑了当代中国书法精神特质的观点,是一种精神的错位,时代的倒置。
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| 关 键 词： | 当代审美意识 当代中国书法 老庄 禅 马克思 |
Modern Aesthetic Consciousness and Modern Chinese Calligraphy |
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| WANG Zhong-sheng. Modern Aesthetic Consciousness and Modern Chinese Calligraphy[J]. Tangdu Journal, 2011, 27(6): 85-88 |
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| Authors: | WANG Zhong-sheng |
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| Affiliation: | WANG Zhong-sheng(College of Chinese Language and Literature,Xi'an University of Arts and Science,Xi'an 710064,China) |
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| Abstract: | Modern Chinese calligraphy Art is not only a concept of time,but also has its inner qualitative regulations,the construction of modern aesthetic consciousness is the core of Modern Chinese calligraphy.The so-called view that Lao Zhuang and Chan have supported the spirit of modern Chinese calligraphy is a dislocation in spirit and a measurement in time. |
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| Keywords: | modern aesthetic consciousness modern Chinese calligraphy Chan Lao Zhuang Marx |
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