| 素描中“线”的理论内涵及其把握 |
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| 引用本文： | 刘路喜.素描中“线”的理论内涵及其把握[J].三峡大学学报(人文社会科学版),2008,30(2):86-89. |
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| 作者姓名： | 刘路喜 |
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| 作者单位： | 三峡大学,艺术学院,湖北,宜昌,443002 |
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| 摘 要： | "线"是素描中最直接的语言形式,它主要是为塑造形体服务,但同时又充分体现出独特的韵律特征,它是一种有意味的形式;由于素描中的"线"还渗透着画者的情感和情绪,因此"线"的判断和把握离不开绘画主体的参与,离不开画者的艺术感觉;对"线"这种绘画语言形式的把握应该与画者自身造型能力的培养、情感的表达和创造精神的培养紧密结合起来。
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| 关 键 词： | 素描中的“线” “线”的语言特性 有意味的形式 艺术感觉 |
| 文章编号： | 1672-6219(2008)02-0086-04 |
| 修稿时间： | 2008年2月17日 |
Theoretical Connotation of Sketch of the "Line" and its Grasping |
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| LIU Lu-xi.Theoretical Connotation of Sketch of the "Line" and its Grasping[J].Journal of China Three Gorges University(Humanities & Social Sciences),2008,30(2):86-89. |
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| Authors: | LIU Lu-xi |
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| Abstract: | "Line" is the most direct form of the language in sketching.It is mainly served for the physical shape,but at the same time to give full expression to the unique characteristics of rhythm.It is a meaningful form.As sketching the "line" has permeated with painter's feelings and emotions,the judgment and grasping of the "line" can not be separated from the participation of the painters and the art feel of painters.The grasping of "line"-a form of painting language should be combined with painters' modeling capability,expression of emotion and creativity. |
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| Keywords: | sketch of the "line" language feature of "line" meaningful form artistic impression |
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