| 语言的狂欢与心灵的痉挛--胡宽诗歌论 |
| |
| 引用本文： | 吴昊. 语言的狂欢与心灵的痉挛--胡宽诗歌论[J]. 长沙理工大学学报(社会科学版), 2016, 0(2): 93-99. DOI: 10.16573/j.cnki.1672-934x.2016.02.016 |
| |
| 作者姓名： | 吴昊 |
| |
| 作者单位： | 首都师范大学 文学院,北京,100048 |
| |
| 摘 要： | 胡宽1988年及之前的诗作中,语言的狂欢通过“鼠”意象的大量描写营造出来,“人鼠合一”的背后是人之精神混乱的局面。从1990年开始,胡宽诗作中“鼠辈横行”、语言狂欢的现象渐趋平静,胡宽开始借用一系列宗教性话语来表达对当时社会语境中人之信仰缺失的忧虑以及对拯救灵魂的呼唤。胡宽虽未进入“朦胧诗”“第三代”等诗潮建构起来的“大诗歌历史”,但他却用一己之心灵书写了带有个人生命体验的“小诗歌历史”,他的诗作体现了语言与精神的相互缠绕。
|
| 关 键 词： | 胡宽 语言 心灵 |
The Lingual Carnival and Spiritual Spasm in Hu Kuan's Poems |
| |
| Abstract: | In fact,in Hu Kuan's poems written before 1 998,the lingual Carnival has been created through rat im-age.Human and Rat's Unityis a kind of spiritual chaos.Then,the image ofRats Rampageand the lingual Carni-val has gradually calmed down in Hua Kuan's poems since 1 990,and he began to use a series of religious discourse to express the anxiety about the social context which lacked of belief.Although Hu Kuan didn't belong to the Poem History which constructed by theMisty PoetryandThe Third Generation,he has created his ownPoem Histo-ry through the writing with his individual life experience.Above all,Hu Kuan's poetry has reflected the twining of language and the spirit. |
| |
| Keywords: | Hu Kuan language spirit |
| 本文献已被 万方数据 等数据库收录！ |
|
