| 伯颜及其诗歌散曲创作论 |
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| 引用本文： | 云峰.伯颜及其诗歌散曲创作论[J].黑龙江民族丛刊,2005(4):110-113. |
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| 作者姓名： | 云峰 |
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| 作者单位： | 中央民族大学文学与新闻传播学院,北京,100081 |
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| 基金项目： | 教育部人文社会科学研究“十五”规划项目(批准号:01JA760012)《元代蒙古族与汉族文学关系研究》的阶段性研究成果 |
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| 摘 要： | 元代蒙古族的汉文诗歌、散曲创作,是在当时蒙汉文学文化交流的大背景下展开的。其中伯颜的汉文诗歌、散曲创作具有一定的代表性,其作品有鲜明的时代和民族特色,对其进行研究,对蒙古族文学、蒙汉文学关系及元代诗歌创作等的研究将有一定的帮助。
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| 关 键 词： | 元代 蒙汉文学关系 伯颜 汉文 诗歌 散曲 |
| 文章编号： | 1004-4922(2005)04-0110-04 |
| 修稿时间： | 2004年11月11 |
Bo Yan and His Poem and Non- dramatic Song Creation Theory |
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| Yun FENG.Bo Yan and His Poem and Non- dramatic Song Creation Theory[J].Heilongjiang National Series,2005(4):110-113. |
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| Authors: | Yun FENG |
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| Abstract: | Mongolian creation of Chinese poems and non-dramatic songs of Yuan dynasty were under the great background of the Mongolian and Chinese exchange at that time. Bo Yan is one of the representatives who creates certain Chinese poems and non-dramatic songs. His works owns distinctive national characteristics. By carrying on research on it, there will be of great help to the research of the Mongolian literature, the Chinese and Mongolian literature relationship and the poem creation in Yuan dynasty. |
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