| 存在的澄明:中国古典美学的人文意蕴 |
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| 引用本文： | 蒋永文. 存在的澄明:中国古典美学的人文意蕴[J]. 云南社会科学, 2002, 0(2): 86-90 |
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| 作者姓名： | 蒋永文 |
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| 作者单位： | 云南大学人文学院,云南,昆明,650091 |
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| 摘 要： | 作者认为,美学是人的一种存在方式,美学所关注的是人的精神发展与生命的意义。中国古代的诗人、艺术家将人生赋予一种诗意,提倡一种审美的人生态度,通过审美活动塑造人的灵魂,用审美态度去体验人生,在审美体验中追求有限生命与无限宇宙融合为一的澄明的境界,明确体现了中国古典美学的人文意蕴。
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| 关 键 词： | 中国古典美学 人文意蕴 审美发生论 审美体验论 审美意义论 |
| 文章编号： | 1000-8691(2002)02-086-05 |
| 修稿时间： | 2001-11-12 |
Clarification of Existence: Humanistic Meaning of Classic Chinese Aesthetics |
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| JIANG Yong-wen. Clarification of Existence: Humanistic Meaning of Classic Chinese Aesthetics[J]. Social Sciences in Yunnan, 2002, 0(2): 86-90 |
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| Authors: | JIANG Yong-wen |
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| Abstract: | The author believes that aesthetics is a way of existence for human being, and its concern is human's spiritual development and meaning of life. Ancient Chinese poets and artists endued human life with a poetic sentiment and advocated an aesthetic attitude to the life. |
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| Keywords: | classic Chinese Aesthetics Humanistic meaning theory of aesthetic happening theory of aesthetic experience theory of aesthetic meaning |
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