Romancing the nation: Family melodrama and the sentimental logics of bourgeois nationalism

Abstract

In the years since the 1970s, something of a revolution has occurred in the area of South Asian American fiction, as writers like Bharati Mukherjee, Meena Alexander, Ginu Kamani, Anita Rau Badami and Chitra Banerjee Divakaruni have begun publishing their work. Bharati Mukherjee's predominant focus is the politics of immigration, not only as a prevalent preoccupation in her fictional writing, but as the focus of a series of newspaper and journal articles as well. This article seeks to contextualize the development of Mukherjee's writing in relation to wider current debates about the nature of the American canon, the question of 'Americanness', and the continually vexed issue of multicultural politics in the US. In reading four of Mukherjee's novels both through and against her polemical writing, I will argue that Mukherjee's fictions should be read together as an ongoing counter-nativist project and, as such, constitute an important intervention in US race relations.