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维特根斯坦论审美的特征
引用本文:徐燕杭. 维特根斯坦论审美的特征[J]. 西南交通大学学报(社会科学版), 2010, 11(2): 112-116
作者姓名:徐燕杭
作者单位:杭州电子科技大学人文学院,浙江,杭州,310018
摘    要:维特根斯坦在其后期著作中经常通过对语言与艺术尤其是音乐的比较表达其对审美的看法。他认为审美不等同于愉悦感,也不是经验性的适应,其中存在着共通的但无法明确加以言说的规则,这也就意味着审美具有超越经验世界的意义。另外,他还认为审美具有教会我们面对对象并意识到其中的规则,从而超越经验个体的立场的功能,这使他的美学思想体现出浓厚的伦理色彩。

关 键 词:维特根斯坦  审美判断  康德  叔本华  艺术

Wittgenstein on the Aesthetic Characteristics
XU Yan-hang. Wittgenstein on the Aesthetic Characteristics[J]. Journal of Southwest Jiaotong Universit(Social Science Edition), 2010, 11(2): 112-116
Authors:XU Yan-hang
Affiliation:XU Yan-hang ( College of Humanities, Hangzhou Dianzi University, Hangzhou 310018, China)
Abstract:In his later works, Wittgenstein often expresses his aesthetic opinions through comparing language with art, especially with music. He thinks that aesthetic feeling, different from pleasant or experiential adaptation, though the experiential world. He also feeling there are some common but unidentified rules among them, surpasses regards that aesthetic experiences teach us to face the object and realize the rules in it, so that we can transcend experiential individual position. This puts heavy ethics on his aesthetic thoughts.
Keywords:Wittgenstein  aesthetic judgment  Kant  Schopenhauer  art
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