论《金瓶梅》的意象群叙事结构

《金瓶梅》以五大意象群为其叙事结构的基础：宗教意象群具有形而上的地位,统摄了小说劝世意图与叙事结构的对称效应;心理意象群具有张本作用,预示了人物命运的大体走向;时间意象群具有推进作用,形成了人物和家庭命运发展的大致时序;空间意象群具有写实意义,呈现了人物关系和场景发生的典型环境;人物意象群具有核心地位,承载了主人公及其家庭由暴发至没落的完整过程。《金瓶梅》的叙事完全打破了此前中国长篇小说的单线型结构模式,构建了《金瓶梅》的综合立体叙事结构,充分表现了家庭生活和社会生活以及人物性格的生成和发展,成为《红楼梦》的重要借鉴。

On the Narrative Structure of Images in the Golden Lotus

The narrative structure of the Golden Lotus is based upon five image groups： the image group of religion has the metaphysical status and governs the novel＇s symmetric effect of advising intention and narrative structure; the image of mentality functions as an anticipatory action,which indicates the general tendency of character＇s destiny; the image group of time has the role of advance,which forms the rough evolutionary time series of figure and family＇s fate; the image group of space has the significance of realism,which presents the typical environment of character relation and occurred scene; the image group has the key position,which bears the whole process from overnight millionaire to decline of the protagonist and his family. The narratives of the Golden Lotus entirely break the previous single-track structural pattern of Chinese full-length novel,and build the comprehensive and three-dimensional narrative structure of the Golden Lotus as well as to appear the creation and development adequately of family life,social life and personal character. The Golden Lotus has broken through the traditional thought and writing,and can be taken example by A Dream in Red Mansions.