“君是烟霞妾为尘”——20世纪40年代弃妇形象分析

20世纪40年代沦陷区的作家张爱玲和苏青塑造了“绣在屏风上的鸟”、“关在笼子里的鸟”与“挣扎于困境中的蛾”三类弃妇形象。第一类弃妇深受女性生来为男性附庸的“原罪意识”所侵蚀,几乎完全丧失了自我主体意识;第二类弃妇在原始性平等意识的支配下稍稍做了些反抗,但是对失去依附地位的恐惧使她们又重返回男权社会的牢笼;第三类弃妇挣扎在职业女性和传统女性角色的困境中,但最终走出了困境,走向了自立。

You, Noble as the Smoke and Rosy Cloud in the Twilight, whereas I, Humble as Dust——The Images of Deserted Women in the Period of Forties of 20th Century

Zhang Ailing and Su qing depicted three kinds of deserted women: "bird on the screen","bird in the cage" and "moth struggling in dilemma".The first kind,eroded by the consciousness of "original sin",was bereft of "the consciousness of subject".The second kind,dominated by the the consciousness of equality of the sexes,made some slight struggle,but forced backed into the cage of male supremacy,for fear of the loss of economic parasitism.The third struggled in the dilemma between the professional and traditional women and finally gained independence,breaking away from the difficult situation.