| 论汪曾祺的叙事观念 |
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| 引用本文： | 翟文铖.论汪曾祺的叙事观念[J].齐鲁学刊,2011(6). |
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| 作者姓名： | 翟文铖 |
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| 作者单位： | 北京师范大学文学院,北京,100875 |
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| 摘 要： | 汪曾祺的叙事理论,既自成体系,又有鲜明的民族特色。在叙述语式上,他认为小说是第三人称的艺术,人物对话要平淡自然,叙述语言要讲究"语态",叙述态度要含蓄节制;在叙述语态上,他主张直叙,反对穿插,注重叙述节奏的变化,欣赏"空白"艺术,提出了"惟悠闲才能精细"的观点;在叙述结构上,他讲究起止自在,匀称自然,反对故事性过强,并创造性地阐释了煞尾、度尾、断续、伏应等传统观念。汪曾祺的叙事理论,以实践性、传统性和创新性显示了自己独特的个性。
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| 关 键 词： | 汪曾祺 第三人称 语态 空白 叙述结构 |
The Brief Elaboration About Wang Zeng-qi's Narrative Idea |
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| ZHAI Wen-cheng.The Brief Elaboration About Wang Zeng-qi's Narrative Idea[J].Qilu Journal,2011(6). |
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| Authors: | ZHAI Wen-cheng |
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| Institution: | ZHAI Wen-cheng(Chinese Literature of Beijing Normal University,Beijing 100875,China) |
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| Abstract: | In the narration language type,Wang Zeng-qi thought that novel is the third person art,and character's dialogue should be extremely light;On the narration voice,he advocates straight narrates,extremely pays attention to the change of the narration rhythm,appreciates the esthetic function of the blank;In the narration structure,he advocates that the opening and the ending of the article should be natural,and creatively explains some traditional ideas. |
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| Keywords: | Wang Zeng-qi the third person voice blank narration structure |
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