| 从杜丽娘形象的浪漫主义色彩看汤显祖的"至情"观 |
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| 引用本文： | 刘波.从杜丽娘形象的浪漫主义色彩看汤显祖的"至情"观[J].阴山学刊,2007,20(1):32-34. |
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| 作者姓名： | 刘波 |
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| 作者单位： | 包头师范学院教育科学学院 内蒙古包头014030 |
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| 摘 要： | 在晚明个性解放思潮中,对于明末清初戏曲、小说产生影响最大的莫过于在左派王学影响下,由李贽、汤显祖、冯梦龙、孟称舜等人直接推动而形成的强大的写“情”思潮,它催生了一大批优秀的文学作品,为这一时期的文学史增添了最亮丽的色彩。《牡丹亭》中的主人公杜丽娘形象的浪漫主义色彩,体现了汤显祖的“至情观”。
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| 关 键 词： | 浪漫主义 至情 汤显祖 杜丽娘 |
| 文章编号： | 1004-1869(2007)01-0032-03 |
| 修稿时间： | 2006年9月29日 |
Viewing Tang Xianzu's View of "Most Genuine Feeling" through the Romanticism of Du Liniang |
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| LIU Bo.Viewing Tang Xianzu''''s View of "Most Genuine Feeling" through the Romanticism of Du Liniang[J].Yin Shan Academic Journal,2007,20(1):32-34. |
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| Authors: | LIU Bo |
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| Abstract: | In the thought current of personality liberation in late Ming dynasty,affected by the leftist Wang Xue,Li Zhi,Tang Xianzu,Feng Menglong,Meng Chengshun etc.led a current of "writing the feeling" which midwifed plenty of excellent literary works and made great influence on the dramas and novels.It was the brightest color in the literary history in this period.The romanticism of Du Liniang who was the heroine in Moutan Pavilion reflected the "Most Genuine Feeling" view of Tang Xianzu. |
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| Keywords: | Romanticism Most Genuine Feeling Tang Xianzu Du Liniang |
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