| 大鹏形象的演化及文化意蕴 |
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| 引用本文： | 樊庆彦.大鹏形象的演化及文化意蕴[J].中国矿业大学学报(社会科学版),2007,9(1):97-101. |
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| 作者姓名： | 樊庆彦 |
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| 作者单位： | 山东大学,文学院,山东,济南,250100 |
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| 摘 要： | 大鹏在古代文学作品中是一个带有神奇象征色彩的意象,自庄子《逍遥游》始,于古代诗文、小说、戏曲中频繁出现,这一形象对于华夏民族的审美心理,尤其是士子文人的人格理想、精神追求具有重要影响。从佛典中追溯其渊源及形象演化,也可以看出外来文化对于中国古代小说创作的影响。
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| 关 键 词： | 大鹏 形象演化 文化意蕴 |
| 文章编号： | 1009-105X(2007)01-0097-05 |
| 修稿时间： | 2007年1月7日 |
Image Evolution and Cultural Connotation of Big Roc |
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| FAN Qing-yan.Image Evolution and Cultural Connotation of Big Roc[J].Journal of China University of Mining & Technology(Social Sciences),2007,9(1):97-101. |
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| Authors: | FAN Qing-yan |
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| Abstract: | The Big Roc is the image that has the mysterious symbolic color in Chinese classic literary works,beginning from the "Going Rambling Without a Destination" by Zhuang-zi;it appears frequently in the Chinese classic proses,novels and dramas.The image has the important influence on Chinese nationality's esthetic psychology,the personality ideal and the spiritual pursuit of the Chinese scholars and writers in particular.By tracing its origin and the image evolution from the Buddhist literature,we could also find out the foreign influences on the Chinese classic novel creation. |
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| Keywords: | Big Roc image evolution cultural connotation |
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