电影画面的构成 ——吉尔·德勒兹“电影画面”思想研究

作为目前唯一全面、系统地研究过电影的思想家，吉尔·德勒兹关于“电影画面”的思想非常丰富。其中，关于电影画面的生成性特征、可见性和可读性的双重特征、电影画面三层次（画面本身、画面的运动、“全体”的流变）和二型态（运动画面和时间画面）的理论，不仅是对电影学理论的丰富，也为电影画面的实际创制提供了深刻的现实启示；值得我们认真研究和认真对待。

The Composition of Film Pictures——On Gilles Louis René Deleuze’ s Theory of Film Picture

As the only expert thinker who has made a comprehensive and systematic study of the film,Gilles Louis René Deleuze’ s elaboration on Film Picture is very rich.His thoughts on the following are of special enlightening and research value: generics,duality of visibility and readability,three-level(picture per se,motion of the picture,and mobility of the whole) of the film picture,and binary morphological model(motion-picture vs.time-picture).Overall,they not only enriche film theory,but also function as practical inspiration in reactive film picture production.