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探讨中国水墨画的视觉语言
引用本文:马涛.探讨中国水墨画的视觉语言[J].东华理工学院学报,2005,24(4):357-361.
作者姓名:马涛
作者单位:东华理工学院文法与艺术学院,江西抚州344000
摘    要:中国水墨画经过漫长的发展过程,方形成今天的多种艺术风格并存的局面。这也是由艺术思维相对局限,逐步走向自由表现的发展过程。传统水墨画的形式,已承栽当代如此丰富多采的生活内容和形式,对现代人物内心世界的细微多变、情感世界的丰富表现难以找到一种对应的固定形式。中国水墨画如何在继承前人宝贵经验的基础上创新,成为当代画家最关心的问题;水墨画艺术之路将走向何方,仍是摆在我们面前需要去继续思考探索。

关 键 词:水墨  艺术思维  情感世界  思考
文章编号:1001-635X(2005)04-0357-05
收稿时间:2005-09-12
修稿时间:2005年9月12日

On the Visual Conception of Chinese Ink and Wash
MA Tao.On the Visual Conception of Chinese Ink and Wash[J].Journal of East China Institute of Technology,2005,24(4):357-361.
Authors:MA Tao
Abstract:Traditional Chinese painting about characters in simple ink and wash without application of color (ink and wash in brief) , which originated from the beginning stage, and experienced a long stage of development, has so far come into a base when all kinds of styles of painting coexist. It' s also a process that painting has broken the relative limitation of thinking in painting and is gradually entering into a stage of free interpretation of one' artistic ideas. The traditional stimulating forms of ink and wash can hardly meet the needs of the colorful life content and styles,nor can it seek a corresponding established form to demonstrate the subtleness of a character' s mental and emotional world. So the question arises how Chinese ink and wash finds a way of innovation while at the same time carries forward the precious heritage of former artists, which leaves many contemporary artists to explore. What is the future of the art of ink and wash?
Keywords:painting ink and wash  art thinking  emotion world  investigate
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