试论宋代词人享乐心理的雅俗分趋——以柳永、苏轼为例

宋代词人普遍怀有及时行乐的享乐心理,但因对于快乐的理解与追求有所不同,遂形成泾浊渭清、雅俗分趋的格局.柳永是趋俗一派中的代表,苏轼是高雅一族中的典型.柳永的享乐心理包含着合理的思想文化内涵,苏轼的享乐心理直指人最终的精神家园.这源于他们对"何为快乐"的独特体认.趋俗是柳永文化人格沾染市民文化因素的结果,尚雅是苏轼的精神境界承传雅文化因子的结果.二者虽然雅俗异貌,但其内核都可以归纳为对"快乐权"的追求,因而有一定的进步意义与启迪作用.

On the Elegance and Vulgarity of Pleasure-seeking Mentality of Ci Writers in Song Dynasty--From Liu Yong and Su Shi

It is common for the Ci writers in Song Dynasty to seek pleasure. But due to their differences in the understanding and pursuit of pleasure, there are two completely different schools: vulgar and elegant. Liu Yong represents the former while Su Shi is typical of the latter. Liu Yong' s pleasure - seeking mentality has its reasonable ideological and cultural connotations while Su Shi ' s pleasure - seeking mentality points directly to people' s final spiritual garden. These come from their unique perceptions of pleasure. Liu Yong' s vulgarity results from his cultural personality characteristic of populace culture and Su Shi' s elegance originates from his spiritual realm inheriting elegant cultural elements. Although they appear to be different, they both aspire to enjoy their ' pleasure right', which is historically progressive and enlightening to us.