| 从《三国演义》的人物类型看罗贯中的悲剧美学思想 |
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| 引用本文： | 杨云,杨绍华.从《三国演义》的人物类型看罗贯中的悲剧美学思想[J].湖南文理学院学报(社会科学版),2004,29(2):59-62. |
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| 作者姓名： | 杨云 杨绍华 |
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| 作者单位： | 华中科技大学中文系 湖北武汉430074
(杨云)，华中科技大学中文系 湖北武汉430074(杨绍华) |
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| 摘 要： | 罗贯中尽艺术表现之能事 ,在《三国演义》中全力塑造了众多不同类型的典型形象 ,并由此生动地展示了中华民族的悲剧历程。《三国演义》堪称中国古典悲剧的典范 ,其中所蕴涵的悲剧美学思想 ,既是中国古代悲剧艺术理论的重要组成部分 ,也对尔后中国悲剧的创作产生了重要影响。
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| 关 键 词： | 《三国演义》 悲剧 悲剧理想 正面人物 反面典型 美学思想 |
| 文章编号： | 1672-6154(2004)02-0059-04 |
| 修稿时间： | 2003年12月26 |
An Exploration into Luo Guanzhong's Tragic Aesthetic Thought From the Various in Characters The Romance of the Three Kingdoms' |
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| YANG Yun,YANG Shao-hua.An Exploration into Luo Guanzhong''''s Tragic Aesthetic Thought From the Various in Characters The Romance of the Three Kingdoms''''[J].Journal of Hunan University of Arts and Science:Social Science Edition,2004,29(2):59-62. |
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| Authors: | YANG Yun YANG Shao-hua |
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| Abstract: | Luo Guanzhong shows his outstanding artistic talent in creating various typical characters in The Romance of the Three Kingdoms' and vividly exhibits Chinese tragic development. The Romance of the Three Kingdoms' is the incarnation of Chinese classic tragedy. The tragic aesthetic thought embodied in it is an indispensable part in ancient Chinese tragic artistic theories and has great impact on later Chinese creation of tragedies. |
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| Keywords: | The Romance of the Three Kingdoms tragedy tragic thought protagonists typical antagonists aesthetic thought |
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