| 《敦煌佛教绘画》前言 |
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| 引用本文： | L.金德尔,N.夏尔玛. 《敦煌佛教绘画》前言[J]. 深圳大学学报(人文社会科学版), 2012, 29(1): 15-18 |
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| 作者姓名： | L.金德尔 N.夏尔玛 |
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| 作者单位： | 印度文化国际研究院 |
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| 摘 要： | 《敦煌佛教绘画》的前言介绍了敦煌第一石窟开凿的缘起、过程以及敦煌艺术的分期。全文探讨了华严与敦煌的关系,并以一些造像中手印的区域性特点为例提出研究印度国家博物馆馆藏敦煌绘画艺术的必要性和重要性。
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| 关 键 词： | 敦煌 华严 佛教绘画 |
The Preface to Buddhist Paintings of Tun-huang in the National Museum, New Delhi |
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| Lokesh Chandra , Nimala Shama. The Preface to Buddhist Paintings of Tun-huang in the National Museum, New Delhi[J]. Journal of Shenzhen University(Humanities & Social Sciences), 2012, 29(1): 15-18 |
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| Authors: | Lokesh Chandra Nimala Shama |
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| Affiliation: | Lokesh Chandra,Nimala Shama |
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| Abstract: | The preface to Buddhist Paintings of Tun-huang in the National Museum,New Delhi introduces the genesis and development of Mogao grottoes,and the periodization of Dunhuang Art.It discusses the relationship between Avatamsaka(huayan) and Dunhuang,and points out the necessity and significance of studying Dunhuang paintings and murals by taking the regional variants of mudrās in the paintings as example. |
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| Keywords: | Dunhuang Avatamsaka Buddhist paintings |
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