| 古雅——王世贞书法思想的核心 |
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| 引用本文： | 陈俊堂.古雅——王世贞书法思想的核心[J].山西大同大学学报（社会科学版）,2010,24(2):110-112. |
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| 作者姓名： | 陈俊堂 |
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| 作者单位： | 山西大同大学艺术学院,山西,大同,037009 |
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| 摘 要： | 在中国书法理论史上，王世贞首次集中以“古雅”论书，其审美价值观念倾向于古拙、含蓄，着意于意趣表达。由于他对“古雅”的推崇，也使这种美感属性从普通层面逐渐提升为书法理论中的一个核心概念，并对后世产生了很大影响。
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| 关 键 词： | 明代 王世贞 书法思想 古雅 |
Guya-Ideological Core of Wang Shizhen's Calligraphy |
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| CHEN Jun-tang.Guya-Ideological Core of Wang Shizhen's Calligraphy[J].Journal of Shanxi Datong University(Social Science Edition),2010,24(2):110-112. |
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| Authors: | CHEN Jun-tang |
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| Institution: | CHEN Jun-tang (College of Arts, Shanxi Datong University, Datong Shanxi, 037009) |
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| Abstract: | In the history of China＇s calligraphy theory, Wang Shizhen is the first man to centre on calligraphy based on the theory of GuYa, whose aesthetic standards tend towards ancient clumsiness and reservedness, and concentrate his efforts on expressing the meaningful interest.Because he has the greatest esteem for Guya, its nature of beauty is gradually promoted to a core conception of calligraphy theory from its general level and has a great influence on the future art. |
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| Keywords: | the Ming Dynasty Wang Shizhen the thought of calligraphy Guya |
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