论元嘉作家的骚体句式

两方面的因素促成元嘉作家骚体句式运用由《离骚》型向《九歌》型转移。首先,理性思维在作家思想中的上升推动文学观念的进步,他们要求文学精细深刻,富于规范美。其次,作家在士族文化影响下,主体心态日趋倾向纤柔。这两点导致元嘉作家偏爱形式对称稳定、描写细致、表情深婉的《九歌》型句式,促进骚体句式的艺术表现整体上发生转移。此外,元嘉作家有意识提高骚体句式地位,并用它改造某些文体,使之获得更大的应用范围。

On the Syntax of Sao's Style of Writers in the Yuanjia Period

There are two reasons why the writers in Yuanjia Period applied the syntax of Sao's Style from The Lament Model to the Nine Songs Model. Firstly, with the progress of literary ideas produced by the rise of rational thought in the mind of the writers, they require the literary expression delicate, profound, and beauty of standardization. Secondly, influenced by the Scholars' Family, the subjective psychology was inclined to be delicate and exquisite. These two viewpoints altogether lead the writers in Yuanjia Period to prefer the syntax of the Nine Songs Model whose formation was symmetric and stable, whose expression was more delicate and exquisite. As a result, it brought about the metastasis of the literary expression of the syntax of Sao's Style wholly. In addition, the writers in Yuanjia Period intentionally heightened the status of this syntax and changed some kinds of literary style so that this syntax has much wider application fields.