| 古代巴楚《竹枝》的歌声形态 |
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| 引用本文： | 吉文斌. 古代巴楚《竹枝》的歌声形态[J]. 兰州学刊, 2014, 0(11): 44-48 |
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| 作者姓名： | 吉文斌 |
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| 作者单位： | 上海电机学院 国际教育学院，上海 201306; 复旦大学 中文系，上海 200433 |
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| 摘 要： | 从入乐的角度来说,＂竹枝词＂创作原本就是古代巴楚《竹枝》乐歌的歌辞记录。在歌声形态方面,古代巴楚《竹枝》乐歌于传唱过程中就出现过单曲短歌、由若干单曲连缀而成的联章之歌、由若干单曲连缀且具备＂艳＂、＂解＂的联章之歌等几种主要的类型,而这些歌声形态都对《竹枝》歌辞文本形式的定型产生了重要的影响。
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| 关 键 词： | 《竹枝》乐歌 歌声形态 单曲短歌 联章之歌 入乐 |
The Melodic Forms of Zhuzhi Songs |
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| Ji Wenbin. The Melodic Forms of Zhuzhi Songs[J]. , 2014, 0(11): 44-48 |
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| Authors: | Ji Wenbin |
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| Abstract: | From point of musical angle,Zhuzhici is the record of Zhuzhi songs＇ lyric. In the process of the spread of Zhuzhi songs,its melodic form has created three types： Single Tune; Association Tunes linked by several Single Tunes; Association Tunes which have Yan（ a component of the tune）and Jie（ a component of the tune）. As is known to all,these melodic forms have produced important effects on the formation of Zhuzhici＇s texts. |
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| Keywords: | Zhuzhi songs the melodic forms Single Tune Association Tunes setting to music |
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