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论技术主义电影的审美价值机制
引用本文:杨菊.论技术主义电影的审美价值机制[J].西华师范大学学报(自然科学版),2006(5):15-18.
作者姓名:杨菊
作者单位:南通大学文学院 江苏南通226007
摘    要:新世纪以来,中国电影市场上一批用高科技打造出来的以视觉奇观为主要审美标志的技术主义电影获得了广泛的市场认同。本文试探讨分析这批技术主义电影的诞生背景和它的审美价值机制。电影的技术本性、全球化的技术主义潮流、观众以视觉奇观为中心的审美趣味以及国家政府和广电总局对电影的重新定位这些因素构成了技术主义电影诞生的背景。而用数字技术制造视觉奇观来满足观众对视觉享受的审美期待视野和以观众的生死等人类的本能欲望为出发点来建构故事以及它的娱乐为本位则是技术主义电影的审美价值机制。

关 键 词:技术主义电影  诞生背景  审美价值机制
文章编号:1672-9684(2006)05-0015-04
修稿时间:2005年5月30日

ON AESTHETIC SYSTEM OF TECHNICALIZED MOVIES
YANG Ju.ON AESTHETIC SYSTEM OF TECHNICALIZED MOVIES[J].Journal of China West Normal University:Philosophy & Social Sciences,2006(5):15-18.
Authors:YANG Ju
Abstract:In the Chinese movie market,a host of technicalized movies produced with high technology and characterized by visual wonders have been extensively accepted since the new century.The present article makes an attempt to analyze the emerging background and aesthetic system of these movies.Such factors as the technical nature of movies,the globalized trend of technicalism,the visual-wonder-centered taste of the audience and the reorientation of movies by the government and the Bureau of Broadcasting and Television constitute the emerging background of technicalized movies.And satisfying the audience's aesthetic expectations by making visual wonders with digital technology,constructing stories based on human beings' instinctive desire of life and death and taking entertainment as the pivot make the aesthetic system of technicalized movies.
Keywords:technicalized movies  background of emergence  aesthetic system
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