诗与非诗的界限--论亚里士多德对诗的艺术本质的界定

创造性模仿是亚里士多德诗学理论中的核心概念。正是通过创造性模仿 ,亚氏一方面把诗与自然科学和其他社会科学区别开来 ,另一方面把诗与雕塑、绘画等其他美的艺术联系在一起。在创造性模仿中 ,亚里士多德发现了这些艺术的本质特征。创造性模仿不仅仅是它们的手段 ,也是它们的目的。在此基础上 ,亚里士多德又进一步区分了诗与其他艺术 ,并通过阐述诗是一种用语言模仿现实存在的艺术 ,完成了对诗的艺术本质的规定

The Limites of Poetry and Non-poetry--Discussion on the Define of Aristotle to the Artistic Esseuce of Poetry

Aristotle's whole conception of poetics theory is creationary imitatio n. By it,on the one hand, Aristotle made a distinction between poetry and natura l science and other soc ial sciences. On the other hand, he has bound poetry and sculpture and painting and other art of beauty. In the creationary imitation, Aristotle found an essent ial character of these art. creationary imitation not only is their means but al so is their ends. On this basis, Aristotle also differentiated poetry and other art further, And b y the elaboration on poetry is the art of imitate reality exist, he finished the stipulations of the poetic art.