论晚唐诗之残缺美

晚唐诗承中唐而实现一大转变,明显区别于盛唐诗近于圆满的艺术之美,具有一种虽美而残、虽残却美的特殊诗美,我们称之为残缺美。这种诗美气象格局较为逼仄、促迫,感情相当幽微、纤细,在风格上偏于柔细、冷峻,题材上转向偏重于对内心的刻画,体裁上专心于五、七言律绝体的锻炼。它以丰富的感性为基础,是颓圮、残破的历史导致的晚唐诗人心灵的残缺在艺术创作中的反映。这正形成了一个颇具特色的中国古典诗歌美学现象。

Studies on the Aesthetic Feeling with Deformities of Poems of Late Tang Dynasty

Inheriting traditions of Mid-Tang Dynasty,poems of Late Tang Dynasty realizes a transformation,which is distinct from the consummation of Flourishing Tang Dynasty.It is called aesthetic feeling with deformities which can be depicted as fragmentary but artistic.The characteristics of this kind of poetic beauty can be described as cramped,pressing with subtle and meticulous sentiment.The style is slender and grave,the theme is about the inner world,and the form is centered on poem with five or seven characters to a line.It is based on abundant emotion and it is the reflection of the fragmentary history of Late Tang Dynasty,which in turn results in the deformed aesthetic feeling of the poets.This leads to the formation of a characteristic aesthetics of Chinese classic poems.