Acts of resistance: the performance of women's grassroots protest in Peru

Creative approaches such as theatre are rarely addressed in analytic terms in the arena of grassroots political protest. In this article, is is argued that theatre can be an effective medium through which to engage with social change, and that theatrical protest articulates in a variety of intricate ways to achieve this. Two cases of political protest events which use theatre are examined, both performed by Peruvian grassroots women's organisations and set against a backdrop of the volatile period leading up to President Fujimori's dismissal in 2000. In a context of state authoritarianism, poverty and gendered inequality, four key aspects of the practice of performance contribute to political resistance. Firstly, the symbolic potency of making one's voice heard in public as an actively participating citizen promotes a process of ‘democratic discourse.’ Secondly, the reversals and inversions of public space and authority figures challenge established discourses of power relations. Thirdly, theatre as a ‘positive’ form of dissent provides a celebratory contrast to the ‘violence’ of traditional forms of protest. Finally, theatre contributes a space for ‘bearing witness’ to state oppression or corruption. This article demonstrates that in these crucial ways, theatrical grassroots protest is a potent tool through which marginalized sectors of civil society can engage in creative political dissent.