Public and private photographs of refugees: the problem of representation

In 1948 Manivald Sein made a series of photographs as he crossed the Atlantic Ocean, illegally, on board the Walnut. He was one of 347 passengers, mostly Estonian refugees, who escaped Soviet occupation near the end of Second World War and who were again fleeing Stalin's wrath after living in Sweden for four years. This article will examine the various ways photographs taken by refugees in transit not only give a voice to their experience, but more importantly, allow outsiders to see them as complex human beings, which in turn provides a powerful counterpoint to prevailing stereotypes.