| 从八面体佛塔看犍陀罗艺术之东传 |
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| 引用本文： | 陈晓露. 从八面体佛塔看犍陀罗艺术之东传[J]. 西域研究, 2006, 0(4): 63-72 |
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| 作者姓名： | 陈晓露 |
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| 作者单位： | 北京大学考古文博学院 |
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| 摘 要： | 八面体佛塔起源于犍陀罗,最初为适应犍陀罗八角形支提殿的形制而出现。佛教入华后,八面体佛塔被中国僧人广为利用,对中国佛教艺术产生了深远的影响。本文主要运用考古学方法,通过犍陀罗八面体佛塔与北凉石塔、甘肃庆阳石窟的比较研究,对楼兰八面体佛塔进行了复原,归纳出八面体佛塔从犍陀罗到中国的传播路线。
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| 关 键 词： | 犍陀罗 楼兰 佛塔 |
| 文章编号： | 1002-4743(2006)04-0063-10 |
Eastward Spread of Gandhara Art Seen in Octagonal Stupas |
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| Chen Xiaolu. Eastward Spread of Gandhara Art Seen in Octagonal Stupas[J]. The Western Regions Studies, 2006, 0(4): 63-72 |
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| Authors: | Chen Xiaolu |
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| Affiliation: | Chen Xiaolu |
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| Abstract: | Octagonal stupa originated in Gandhara to adapt to the octagonal temple there. After Buddhism spread into China, octagonal stupa was widely used by Chinese bonzes and exerted profound influence upon the Buddhist art in China. The paper makes comparison among the octagonal stupa of Gandhara, stone pagoda of the Northern Liang and grottoes in Qingyang of Gansu Province, restores the octagonal stupa in Loulan and deduces the spreading routes of octagonal stupa from Gandhara to China. |
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| Keywords: | Gandhara Loulan stupa |
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