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论现代性的矛盾性——反思波德莱尔的现代性概念
引用本文:殷曼椁. 论现代性的矛盾性——反思波德莱尔的现代性概念[J]. 四川大学学报(哲学社会科学版), 2012, 0(4): 12-17
作者姓名:殷曼椁
作者单位:南京大学哲学系,江苏南京,210093
基金项目:2009年度教育部社科研究基金青年项目
摘    要:当代,现代性的求新逻辑业已成为艺术的传统和常态,而它所表现出的不断自我消耗、自我否定的趋势也颇令人忧虑。倡导现代性的先驱波德莱尔其实对该问题有更为辩证的见解。其艺术二重性观点既肯定了短暂、偶然的一面,也认可了艺术永恒性的一面。在波德莱尔眼中,现时的美并不否定永恒的美,而且艺术品的永恒恰恰内蕴在现时的艺术品之中。

关 键 词:波德莱尔  现代性  “新”

The Ambivalence of Modernity:Reflecting onBaudelaire's Concept of Modernity
Yin Manting. The Ambivalence of Modernity:Reflecting onBaudelaire's Concept of Modernity[J]. Journal of Sichuan University(Social Science Edition), 2012, 0(4): 12-17
Authors:Yin Manting
Affiliation:Yin Manting(Philosophy Department,Nanjing University,Nanjing,Jiangsu 210093)
Abstract:The pursuit of the New has become the tradition and common phenomenon in the art world,and this trend of self-consuming and self-negating is quite worrying.Baudelaire,one of the pioneers advocating modernity,had a more dialectical understanding of this problem.He emphasized the pursuing of both the momentary and contingent present and the Eternity.In his opinion,the temporary beauty of artwork is not a denial of its eternal beauty;on the contrary,the artwork’s Eternity is embedded in the temporary beauty.
Keywords:modernity  Baudelaire  the New
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