小康社会与都市美学形态

不同的经济方式下,必然形成不同的美学形态。中国20世纪50年代至80年代初期的文艺作品是以封闭的经济方式下的新古典主义美学形态为指导的,80年代中期以后的文艺作品是以开放的市场经济下的现代美学形态为指导的,因此,不能用固化的准则来评判不同时期的文艺作品。中国的小康社会是在市场经济推动下建立起来的,她的美学形态必然是现代的,具有中国特色的。小康社会的都市美学形态依托于市场经济,但不能一切以经济为指南。必须加强审美教育,用以推动都市精神文明的进步。

The Comparatively Well-off Society and the Aesthetical Formation of City

There are inevitably different aesthetical formations under the different modes of economy. It was the aesthetical formation of New Classicism under the closed mode of economy that directed the art works from 1950's to the beginning of 1980's. From the middle of 1980's, it is the modern formation of aesthetics that directs the art works under the open economy of market. Criticizing the art works in different times must use different criteria. The comparatively well-off society of China is established on the market economy. The aesthetical formation in this society must be modern and Chinese features. The aesthetical formation of city of the comparatively well-off society is based on the market economy, but the economic elements can not become all of the social life. Aesthetical education should be strengthened for pushing the spiritual civilization forward.