| 试析卞之琳早期诗歌创作之风格 |
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| 引用本文： | 具洗范.试析卞之琳早期诗歌创作之风格[J].长江大学学报(社会科学版),2005,28(1):24-28. |
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| 作者姓名： | 具洗范 |
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| 作者单位： | 关东大学,中国学科,韩国,江原道,江陵市,201～701 |
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| 摘 要： | 精湛的艺术技巧和深刻的思想深度的高度统一,是卞之琳对中国现代诗歌的杰出贡献,也是他被称为中国现代杰出诗人的一个重要原因。纵观卞之琳30年代的诗歌创作,不难发现,对人生的沉思,是其诗歌持久的主题。这种沉思是以两种形式表现的:一是对自我以外的人生形式和生活态度的沉思,一是直接对自我人生的体验和沉思。就思想性而言,卞之琳30年代诗歌的重要特征就在于:它是诗人对人生的体验和沉思的结晶。
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| 关 键 词： | 卞之琳 诗歌 艺术 思想 |
| 文章编号： | 1673-1395(2005)01-0024-05 |
| 修稿时间： | 2004年12月20 |
A Study on Bian Zhilin's Early Poems |
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| GU Gwang Bum.A Study on Bian Zhilin''''s Early Poems[J].Journal of Yangtze University:Social Sciences,2005,28(1):24-28. |
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| Authors: | GU Gwang Bum |
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| Abstract: | The unification of wonderful art and deep thought is Bian Zhi-lin's major contribution to Chinese modern poetry and it is one of the important reasons why he is called the outstanding poet in modern China. Looking through his writing in the 1930s,one can find the meditation is the lasting theme of his poems. The meditation is expressed by two forms: on life style and attitude of oneself and on one' s own experience. The paper concludes that the salient artistic feature of his poems during this period is the result from his life experience and meditation. |
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| Keywords: | Bian Zhi-lin poetry art ideology |
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