| 中国电影在进步文化运动中的历史嬗变--兼与中国现代文学比较 |
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| 引用本文： | 曲鸿雁. 中国电影在进步文化运动中的历史嬗变--兼与中国现代文学比较[J]. 北华大学学报(社会科学版), 2003, 4(3): 25-27 |
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| 作者姓名： | 曲鸿雁 |
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| 作者单位： | 北华大学,师范人文学院,吉林,吉林,132033 |
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| 摘 要： | 中国电影产生以来即成为中国进步化运动的重要组成部分，但其鲜明的工业生产属性(资本主要由官僚买办把持)和广泛的群众性，使其与中国现代学比较起来，行进的步伐要滞后一些。1931年后，左翼电影运动的开展及时代的呼唤，进步电影逐渐发展壮大起来，成为表现反帝抗日主旨的重要艺术形式。
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| 关 键 词： | 中国电影 中国现代文学 进步文化 历史嬗变 |
| 文章编号： | 1009-5101(2003)03-0025-03 |
| 修稿时间： | 2002-12-25 |
Historical Permutation of Chinese Film in the Course of Progressive Culture Movement --Concurrent Comparison with Contemporary Chinese Literature |
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| QU Hong-yan. Historical Permutation of Chinese Film in the Course of Progressive Culture Movement --Concurrent Comparison with Contemporary Chinese Literature[J]. , 2003, 4(3): 25-27 |
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| Authors: | QU Hong-yan |
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| Abstract: | Chinese film had been a very important part in the course of Chinese progressive culture movement since it came into being. But its distinctive attribute of industrial production (Capital mainly monopolized by bureaucrats) and extensive mass character, makes its proceeding pace a little backward. After 1931, with the development of the left-wing film and the summon of age, the progressive film movement gradually developed and expanded into a significant artistic form of showing the purport of anti-Japanese. |
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| Keywords: | Chinese film Contemporary Chinese literature Progressive culture Historical permutation |
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