| 从晚明画谱看当时文人的审美取向 |
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| 引用本文： | 刘越. 从晚明画谱看当时文人的审美取向[J]. 学术交流, 2010, 0(1) |
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| 作者姓名： | 刘越 |
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| 作者单位： | 黑龙江大学,中国语言文学博士后流动站,哈尔滨,150080 |
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| 基金项目： | 中国博士后科学基金资助项目，哈尔滨理工大学优秀拔尖人才培养计划资助 |
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| 摘 要： | 晚明是中国文化发展的转型期,也是中国版画画谱出版的高峰期.这一时期的画谱创作是晚明文化思潮和文人品味风尚影响下的产物,具有相似的风格和审美特征,追求"精雅之趣"、"天然之韵"和"灵动之美",反映了晚明文人多元化的审美取向.
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| 关 键 词： | 晚明 画谱 文人 审美取向 |
Examining Scholars' Aesthetics from the Perspective of Block Prints of the Late Ming Dynasty |
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| Liu Yue. Examining Scholars' Aesthetics from the Perspective of Block Prints of the Late Ming Dynasty[J]. Academic Exchange, 2010, 0(1) |
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| Authors: | Liu Yue |
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| Affiliation: | Liu Yue(Postdoctoral Research Station of Chinese Languages , Literature,Heilongjiang University,Harbin 150080,China) |
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| Abstract: | The late Ming Dynasty is a transition period of Chinese cultural development as well as the peak season of publication of Chinese illustrations and block prints.The block prints as the product under the influence of cultural thinking trend and scholars' taste and style in that period possessed similar styles and aesthetics,pursuing interest in delicateness,charming of nature and beauty for refreshingness,and reflecting scholars' various orientation in aesthetics. |
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| Keywords: | late Ming Dynasty illustrations and block prints scholar aesthetic orientation |
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