| 论司汤达与巴尔扎克小说创作风格的差异性 |
| |
| 引用本文： | 刘艳萍. 论司汤达与巴尔扎克小说创作风格的差异性[J]. 延边大学学报, 2001, 34(1): 67-69 |
| |
| 作者姓名： | 刘艳萍 |
| |
| 作者单位： | 刘艳萍（延边大学,汉语言文化学院,吉林,延吉,133002） |
| |
| 摘 要： | 受个体审美心理机制的制约,司汤达侧重剖析人物内心的隐秘,创作显内倾性;巴尔扎克着重揭示并鞭挞社会弊端,创作呈外倾性,两者从不同角度丰富并完善了批判现实主义创作.
|
| 关 键 词： | 司汤这 巴尔扎克 内倾性 外倾性 创作风格 |
| 文章编号： | 1009-3311(2001)01-0067-63 |
| 修稿时间： | 2001-01-08 |
About the Creative Differences of Stendal''''s and Balgac''''s Novels |
| |
| LIU Yian ping. About the Creative Differences of Stendal''''s and Balgac''''s Novels[J]. Journal of Yanbian University(Social Sciences), 2001, 34(1): 67-69 |
| |
| Authors: | LIU Yian ping |
| |
| Abstract: | Restricted by the individual aesthelic standard mechanism, Stendhal lays emphasis on analysing the inner world of the characters,whose creations display internal tendency. However Balgac reveals and castigates the social drawbacks in particular, whose creations display external tendency.Both of them enrich and perfect the creations of critical realism from various aspects. |
| |
| Keywords: | Stendhal Balgac internal tendency external tendency mode of writing |
| 本文献已被 CNKI 维普 等数据库收录！ |
|
