| 中国写意画构图试析 |
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| 引用本文： | 黄少华. 中国写意画构图试析[J]. 安徽农业大学学报(社会科学版), 2002, 11(2): 99-101. DOI: 10.3969/j.issn.1009-2463.2002.02.036 |
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| 作者姓名： | 黄少华 |
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| 作者单位： | 安徽教育学院,艺术系,安徽,合肥,230061 |
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| 摘 要： | 中国写意画独具东方的审美特征,在构图形式上也丰富多变.随着中国画艺术的历史积淀,已经形成一种具有东方形态的构图律.它所构建的是稳固而富有韵律美的整体,是将各种美的元素构成的新格局,也是因立意而拓展开来的排列组合.
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| 关 键 词： | 构成 张力 虚实 气韵 |
| 文章编号： | 1009-2463(2002)02-0099-03 |
An Analysis of the Composition of the Freehand Brushwork in the Traditional Chinese Painting |
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| HUANG Shao-hua. An Analysis of the Composition of the Freehand Brushwork in the Traditional Chinese Painting[J]. Journal of Anhui Agricultural University(Philosophy & Social Sciences Edition), 2002, 11(2): 99-101. DOI: 10.3969/j.issn.1009-2463.2002.02.036 |
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| Authors: | HUANG Shao-hua |
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| Affiliation: | The Dept. of Art, Anhui College of Further Education |
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| Abstract: | The traditional Chinese painting wit h freehand brushwork,which is rich i n composition,is characteristic of oriental aesthetics.It has its unique form of composition with its development of long tradition.What it composes is t he aes-thetic whole of rich and steady sight melody.It is a new framework with various elements of beauty,a unique ar-rangement of brushwork based on specific meanings. |
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| Keywords: | composition strain void and concreteness sight melody |
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