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水样的春愁--论郁达夫的诗意写作
引用本文:金蕾蕾.水样的春愁--论郁达夫的诗意写作[J].渤海大学学报(哲学社会科学版),2003,25(6):10-13.
作者姓名:金蕾蕾
作者单位:曲阜师范大学,中文系,山东,济宁,273165
摘    要:情感的内化性倾向是郁达夫小说创作的突出特点。情感在文本中的高度张扬使得人物失去了其在传统模式下的功能,成为传递情感的中介。郁达夫一方面继承和发扬了传统诗歌语言的"诗言志","诗缘情"品质,即将空虚而抽象的性与具体而切实的情相结合,另一方面吸取和异化了浪漫主义诗歌的创作理念,走出了他独有的将古典意象赋予现代情感,将现实的生命体验以诗意的笔调进行重新演绎的创作道路。这种独抒性灵的诗意创作,达到了"物我两忘"的境界。

关 键 词:郁达夫  诗意写作  缺失
文章编号:1001-6333(2003)06-0010-04
修稿时间:2003年6月1日

Soft Sorrow in Spring--On Yu Dafu's Poetical Writing Style
JIN Leilei.Soft Sorrow in Spring--On Yu Dafu's Poetical Writing Style[J].Journal of Bohai University:Philosophy and Social Science Edition,2003,25(6):10-13.
Authors:JIN Leilei
Abstract:The obvious feature of Yu Dafu's works is the emotionally internal tendency.Indulging the feelings makes the characters get out of their trditional functions and become the medium for passing affections.On one side,he didn't only carry on but also developed the poetry's traditional qualities,which are used in the poem to express the ambition,and the poem comes from the feeling,that is to say,the poem combines the unreal and abstract sex with concrete and real affection.On the other side,he broke away from his personal writing course with endowing the classicism image with the modern feeling and reducing the real living experience such as dying in a poetic style which expresses one's own feeling and nature has raise to a level of forgetting both material and spirit.
Keywords:Yu Dafu  poetic writing  shortage  
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