| 论中国现代水彩画的厚度问题 |
| |
| 引用本文： | 赵曦.论中国现代水彩画的厚度问题[J].郑州大学学报(哲学社会科学版),2004,37(2):151-153. |
| |
| 作者姓名： | 赵曦 |
| |
| 作者单位： | 郑州大学,美术系,河南,郑州,450052 |
| |
| 摘 要： | 中国水彩画在新时期的复苏和发展过程中已逐步形成有中国特色的现代水彩画,但是仅仅有水色的情趣与诗情画意般的韵律还远远不够,中国现代水彩画必须要有厚度.这种厚度既包括形式技法上的厚度与空灵的和谐统一,更要注重内容方面题材的生命力与作品的思想和精神内涵.而要真正体现作品的厚度,既需要继承,更需要创新.
|
| 关 键 词： | 水彩画 厚度 形式 内容 |
| 文章编号： | 1001-8204(2004)02-0151-03 |
| 修稿时间： | 2003年2月28日 |
Substantiality of Modern Chinese Watercolours |
| |
| ZHAO Xi Fine Arts Dept.,Zhengzhou University,Zhengzhou ,China.Substantiality of Modern Chinese Watercolours[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2004,37(2):151-153. |
| |
| Authors: | ZHAO Xi Fine Arts Dept Zhengzhou University Zhengzhou China |
| |
| Institution: | ZHAO Xi Fine Arts Dept.,Zhengzhou University,Zhengzhou 450052,China |
| |
| Abstract: | Chinese watercolours have displayed some characteristics of their own since the early 1980's. Yet to have poetic
appeal is far from enough. They should have substantiality: the harmony between good skills and a natural style, the vital power
of themes, and the idea contents of the works. |
| |
| Keywords: | watercolours substantiality forms contents |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
