| 略论长安绘画艺术 |
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| 引用本文： | 张慨. 略论长安绘画艺术[J]. 长安大学学报(社会科学版), 2011, 13(1): 28-37 |
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| 作者姓名： | 张慨 |
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| 作者单位： | 陕西师范大学西北历史环境与经济社会发展研究中心,陕西西安,710062;陕西科技大学设计与艺术学院,陕西西安,712081 |
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| 基金项目： | 陕西师范大学研究生培养创新基金 |
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| 摘 要： | 运用系统研究的方法,探索长安绘画发展的历史脉络、风格传承、演变规律及其与地域环境之间的互动。分析认为,长安绘画在隋唐时期步入鼎盛阶段;明清时期虽然在全国失去了领军地位,但是依然有少数名家崭露头角,文人绘画气息浓厚;民国时期以爱国为主旋律,以文化重心西迁为契机,形成了跳跃式的发展态势,为现代长安画派的诞生奠定了基础。同时认为：长安绘画自始至终贯穿着鲜明的写实特征和强烈的现实主义思想。
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| 关 键 词： | 长安绘画 画家 壁画 现实主义 |
Brief discussion for Chang'an painting arts |
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| ZHANG Kai. Brief discussion for Chang'an painting arts[J]. Journal of Chang'an University(Social Sciences Edition), 2011, 13(1): 28-37 |
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| Authors: | ZHANG Kai |
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| Affiliation: | ZHANG Kai1,2(1.Research Center for Northwest Historical,Environmental,Economic and Social Development,Shaanxi Normal University,Xi'an 710062,Shaanxi,China,2.School of Art and Design,Shaanxi University of Science and Technology,Xi'an 712081,China) |
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| Abstract: | With the help of systemetic method,the author in the paper explores the historical traces,styles,evolution and the interaction between the region and environment in the development of Chang'an painting.The analysis finds that Chang'an painting stepped to its prosperity in the Sui and Tang Dynasties and lost its lead in the period of Ming and Qing Dynasties.However,there were still some fam-ous painters who had strong humanism.During the Republic of China era,the patriotism became its main theme with its cul... |
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| Keywords: | Chang'an painting painter wall painting realism |
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