| 宋代文论视野中的"趣" |
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| 引用本文： | 胡建次.宋代文论视野中的"趣"[J].南昌大学学报(人文社会科学版),2004,35(4):103-107. |
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| 作者姓名： | 胡建次 |
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| 作者单位： | 南昌大学,人文学院,中文系,江西,南昌,330047 |
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| 摘 要： | "趣",作为我国古代文论的重要审美范畴,在宋代文学批评与理论视野中,首次得到大量运用与集中阐说,表现为在诗评中开始广泛出现;在诗论中得到阐说和提升;在词评中也得以引入.这标示出了"趣"作为古代文论审美范畴的成型.
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| 关 键 词： | 宋代 文论视野 "趣"范畴 成型 |
| 文章编号： | 1006-0448(2004)04-0103-05 |
| 修稿时间： | 2004年1月10日 |
"Qu" of the Literary Visual Field in the Song Dynasty |
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| HU Jian-ci."Qu" of the Literary Visual Field in the Song Dynasty[J].Journal of Nanchang University(Humanities and Social Sciences),2004,35(4):103-107. |
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| Authors: | HU Jian-ci |
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| Abstract: | "Qu", as an important aesthetic category in the critical theory of Chinese classical literature,firstly gained applying in great quantities and concentrated on explaining in the Song Dynasty;it began to extensively appear in poetic criticism, gained explaining and promoting in poetic theory, and gained drawing in Ci-poetic criticism. All these indicated its pattern as the Chinese classical literary aesthetic category. |
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| Keywords: | Song Dynasty the literary visual field "Qu" pattern |
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