| 论理学之"文"的审美意蕴 |
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| 引用本文： | 邓莹辉. 论理学之"文"的审美意蕴[J]. 三峡大学学报(人文社会科学版), 2007, 29(3): 27-31 |
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| 作者姓名： | 邓莹辉 |
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| 作者单位： | 三峡大学,文学院,湖北,宜昌,443002 |
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| 摘 要： | 文道关系是理学美学的核心问题,两宋理学家虽然普遍具有重道轻文的倾向,但同时也认为“道”本体必须通过“文”形式而体现,离开“文”,所谓“道”就没有着落,成为“有体无用”之学。为文要求明白自然,质朴平易,反对架空细巧,刻意雕琢。
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| 关 键 词： | 理学 美学 文学 |
| 文章编号： | 1672-6219(2007)03-0027-05 |
| 修稿时间： | 2006-12-20 |
On "Wen" ''''s Aesthetic Value in Idealism |
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| DENG Ying-hui. On "Wen" ''''s Aesthetic Value in Idealism[J]. Journal of China Three Gorges University(Humanities & Social Sciences), 2007, 29(3): 27-31 |
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| Authors: | DENG Ying-hui |
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| Abstract: | The relationship between "Wen" and "Dao" is Aesthetics and Idealist's core problems.The idealists in Song Dynasty had obvious orientation emphasizing on "Dao" and neglecting "Wen".However,they also believed that "Dao" should be reflected by means of "Wen".Without "Wen","Dao" could not exist."Wen" becomes a form without practical use.Writing articles should be intelligible and plain,objecting to elaborate polishing. |
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| Keywords: | idealism aesthetics literature |
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